We Will Rise Again by Jeremy Young
Can lightning strike twice? Moving picture producers certainly recall and then, and every in one case in a while they prove they can brand a sequel that's fifty-fifty better than the original.
Information technology's non easy to make a movie franchise better — usually, the odds are that meddling further volition just make something worse. That's why movie fans should celebrate rare events similar a superior sequel'southward release. When amazing sequels like these come along, it's similar winning the movie lottery.
The Empire Strikes Dorsum
The Empire Strikes Back had a tough deed to follow afterward the original Star Wars motion picture premiered. How practice you lot top the movie that changed the world and sent box office profits into hyperspace? By going deep into what makes these characters tick and non existence afraid to get dark.
Luke gets beaten upward over and over, we learn almost the Strength from Yoda, Han and Leia fall in love while on the run and Vader gives audiences the greatest twist moment of all time. Unhappy ending, but super-happy fans.
The Godfather showed Mafia members as iii-dimensional figures, non just every bit cartoon villain characters. These people had families, children, hopes and dreams, and they'd do anything to protect them.
The Godfather Part Two traces the rocky rise of Michael Corleone as he's forced into some difficult choices while expanding the family business organization. A parallel story flashes back to how his father Vito arrived in America and began the family's empire. Equally Vito builds the foundation in the past, Michael secures the legacy in the present. It'south a triumphant masterpiece.
Captain America 2: The Winter Soldier
While the kickoff Captain America is a nostalgic look at the experience-adept patriotism of WWII, Helm America: Winter Soldier takes united states of america into darker and more than complex times. What is the significant of patriotism if the government itself is total of traitors? What happens when friendship and duty collide?
Where the showtime film was an take chances, the second plays like a conspiracy thriller with a shocking revelation at the end. The moving-picture show soars by developing Steve Rogers fully and explores the conventionalities that there's nothing more patriotic than doing the correct thing.
Star Trek Ii: The Wrath of Khan
Star Trek: The Movie underperformed. A huge budget and fantastic special effects couldn't rescue a film everyone found…dull. Star Trek II: The Wrath of Khan had to save the franchise. And boy, did information technology evangelize!
Director Nicholas Meyer interpreted the motion-picture show similarly to a submarine thriller, with opposing captains playing cat and mouse and messing with each other'due south heads. It features spectacular battles, incredible suspense, a scene-stealing villain and a tragic ending for Spock, who makes the ultimate sacrifice. The rousing musical score is the ruby-red on acme.
Mad Max: Fury Road
It had been 30 years since the last Mad Max moving-picture show when Mad Max: Fury Road was released. Afterward such a long time, would the sequel exist worth information technology? It was — and then some.
Director George Miller poured his heart and soul into the motion picture, and it visually feels like loftier art. At one indicate, a massive caravan of crazed villains chases Mad Max and friends through the unforgiving desert. 1 vehicle is outfitted with huge speakers and a guy with a flame-throwing guitar. That's how awesome this moving-picture show is.
Aliens
Aliens switched genres on fans. Whereas Alien was a haunted house horror motion-picture show in space, Aliens is a high-octane action-thriller with horror elements. More than 30 years later, it's still the high watermark of the franchise.
Information technology has an incredible script coupled with perfect execution. James Cameron delivered a rare jewel: a hit action film with a female lead that expertly balances horror and humor. Ripley'southward motivation is dead elementary: save survivors from the doomed colony, kill any aliens along the way and nuke the entire site from orbit.
The Dark Knight
Batman Begins was a most-perfect origin story for Batman. By the time he finally puts on the cowl and greatcoat, information technology makes perfect sense.
The Dark Knight is some other brute altogether — a criminal offense thriller that tests both the graphic symbol and the very thought of Batman. At its center is the Joker, played with such terrifying chaos by the tardily Heath Ledger that people are still talking about the performance. By the finish, Batman grimly accepts that he is the hero Gotham needs, but not the 1 information technology deserves.
Terminator 2: Judgment Mean solar day
Filmmakers accept been desperately trying to brand a hitting followup to Terminator ii: Judgment Day for over 25 years. No matter what they practice, they can't even come close.
It's a near-perfect action movie, one that takes the premise of the commencement film and turns information technology on its head. What if the Terminator that was originally sent to kill you becomes your protector from something even scarier? The film'due south fast footstep, incredible action scenes and breakthrough special effects made it a smash hitting that spawned other vastly junior sequels.
Toy Story 2
When Toy Story showtime debuted, audiences were gobsmacked by the CGI. It had never been washed at this level before — it ushered in a whole new era. From then on, that was the level of quality that audiences would wait from an blithe movie.
Toy Story two expanded on the original by exploring heart-wrenching themes similar abandonment, purpose and means to find meaning in life after devastating loss. Just try not to cry watching Jessie's backstory. Toy Story 2 showed that even for toys, broken hearts could be healed.
The Silence of the Lambs
Hannibal Lecter originally debuted played by Brian Cox in a Michael Mann film called Manhunter. The flick was a modest success. Simply The Silence of the Lambs changed the game.
Anthony Hopkins gave united states of america an unforgettably creepy version of Hannibal Lecter that people will be quoting until the stop of fourth dimension. The cryptic relationship that develops between Dr. Lecter and FBI agent Clarice Starling is the emotional tightrope of the story. Even though Buffalo Bill is supposed to be the big bad guy, it'southward Lecter who's the well-nigh terrifying.
National Lampoon's Christmas Vacation
Poor Clark Griswold is a victim of his own ridiculously loftier expectations. In the starting time Holiday film, his quest for the perfect road trip causes disaster at every turn. In Christmas Vacation, Clark unwittingly ruins Christmas likewise.
And it'southward the funniest affair actor Chevy Chase has ever done. 1 catastrophe is scarcely over earlier another piles on top of it, and by the end, Clark Griswold is wound up so tight he snaps spectacularly. Audiences liked Holiday, but they loved Christmas Vacation and are withal watching it every holiday flavor.
Emmet-Human being and the Wasp
Paul Rudd's comedic everyman portrayal of a diminutive superhero in Ant-Man proved to be a surprise hit. Combining the heist formula with comedic elements resonated with audiences and was a refreshing plough in the Marvel universe.
Ant-Homo and the Wasp expands on the successful formula and becomes a lightning-paced superhero adventure that marries equal parts heist, chase and one-act. It's never a dull moment as Ant-Man and the Wasp race against the clock to salve Janet van Dyne from the quantum realm while remaining one stride ahead of the bad guys.
Die Difficult
Frank Sinatra originally played the John McClane role (then called Joe Leland) in The Detective in 1968. Die Hard was based on the screenplay adapted from the novel "Nothing Lasts Forever," which was the sequel to "The Detective."
Simply the director wanted more action, and then writers changed major elements of the screenplay. The terminate result is not only an activity classic but is also i of the best alternative Christmas movies of all fourth dimension. No 1 remembers The Detective, but everyone knows "Now I have a car gun. Ho. Ho. Ho."
X2: X-Men United
It's hard to believe, but at the time, no ane was sure that a squad superhero moving picture would piece of work. Long before the Avengers era, there was X-Men. Information technology was a modest superhero moving picture past today'due south standards, but it paved the manner for bigger epics.
X2: 10-Men United built on the original premise with more confidence. Professor X and Magneto team upwards to stop a sinister plot to kill mutants everywhere. The moving picture was a rousing call against racism, and fans loved seeing a superhero team reach its full potential.
Goldfinger
James Bond was withal relatively new to the flick-going public back in 1964, but they knew even back then how to spot a winner. Goldfinger was Bail'due south third cinematic outing, and in many ways, it cemented how we retrieve of the classic graphic symbol today.
Goldfinger standardized many of the classic James Bond tropes: the womanizing, the gadgets, the i-liners, the bigger-than-life villain, the shaken-not-stirred martini and, virtually of all, Sean Connery. A quintessential Bond story, Goldfinger remains the highest-rated sequel in the entire sprawling franchise, according to Rotten Tomatoes.
Spider-Human being 2
The original Spider-Homo was a huge hit. A classic origin story, audiences flocked to run across a hero that — after decades of waiting — had finally received the big-screen handling.
Spider-Man 2 borrowed its plot from a scattering of his popular comic book stories and gave audiences a daunting villain for Spider-Man to conquer. The story shines and is at its all-time when Spider-Homo, despite it all, has compassion for even his most deadly enemy. Fifteen years afterward, many fans nevertheless regard this one as the best film in the ever-growing franchise.
Evil Dead ii
Evil Expressionless was Sam Raimi's breakout horror striking, but he did it on the cheap. Forced to work within a tight budget, Raimi used ingenious techniques to heighten the film, such equally "shaky cam" and shooting from the point of view of the evil deadites.
Evil Expressionless 2 is non really a sequel — it's a total remake. Raimi took the aforementioned story and shot it again with a much bigger budget. The result is a ridiculous blend of in-your-face horror and slapstick comedy that fans volition love until the finish of time.
Harry Potter and the Prisoner of Azkaban
As a picture franchise, the Harry Potter story was already a hit. Merely director Alfonso Cuarón took genuine risks with the source fabric. Putting the students in street clothes and pushing the story towards horror and suspense, Harry Potter and the Prisoner of Azkaban became the film that paved the mode for its darker sequels.
For many fans, information technology's still the best moving-picture show of the serial. It has something for everyone: trigger-happy trees, fantastic beasts, a magical map, time travel, shapeshifting villains, crazy plot twists…yous know, Harry Potter stuff.
Fear and Loathing in Las Vegas
Fear and Loathing in Las Vegas (1998) wasn't the first effort at a cinematic story featuring Hunter S. Thompson. That award goes to Where the Buffalo Roam (1980), in which Bill Murray deftly played the Thompson function.
Depp'south version of the soused graphic symbol was a petty more flamboyant. And although Fearfulness and Loathing didn't practice well at the box office, information technology later became a huge cult classic. What'due south not to like about total dedication to hedonism experienced through the lens of a counter-culture journalist with an intimidating vocabulary?
Superman II
Superman changed the game when it proved to the world that comic volume fare could translate into box part bucks. It didn't hurt that Christopher Reeve was built-in to play the function.
Superman Two gave Superman bigger obstacles to conquer. What if he came upwards against three supervillains that had the aforementioned powers he had? As Superman'south romance with Lois Lane blooms, the evil trio plots a takeover of the planet. It all culminates in a spectacular ball in New York Urban center and the Fortress of Solitude, where Supes finally turns the tables on them.
The Good, the Bad and the Ugly
Even if you don't know the flick, yous know the whistling theme vocal. The Practiced, the Bad and the Ugly became the movie synonymous with both Clint Eastwood and great westerns. Information technology's still considered among the best.
One of the signature elements of the flick's flair is sequences without dialogue. The existent reason for this is that director Sergio Leone had a smaller upkeep for this one and was shooting on the cheap. Simply this added to the gritty ambience of the film that modern westerns are even so measured against.
Thor: Ragnarok
The Marvel cinematic universe is a project of a scope that has never been seen earlier — or since. With 23 movies and counting, it's an embarrassment of riches. Then what makes Thor: Ragnarok so special?
Mainly, it throws the gravitas of the titular character out the window and reinterprets the serious franchise every bit a comedy. Chris Hemsworth was made for laughs, and it'south as if the writers finally figured it out. Audiences loved the Odd Couple-style humor of Thor and Hulk as they rampage their mode through Sakaar and Asgard.
Mission Impossible: Ghost Protocol
You take to paw it to Tom Cruise. Say what y'all want almost him, only he knows how to practise slap-up action films. And he'southward had the cleaved bones to prove information technology. At an historic period when nearly male actors are opting for dramas, Cruise simply doesn't dull down.
Mission Impossible: Ghost Protocol felt like a reboot of an already successful franchise, breathing fresh free energy into the adventures of Ethan Hunt. Taking the best of the previous movies and remixing it into a loftier-stakes activity masterpiece, Ghost Protocol became the new standard for secret agent popcorn films.
Dawn of the Dead
Nosotros can thank George Romero for the existence of zombie movies as an entire genre. Night of the Living Dead popularized zombies among modern audiences and paved the way for the gazillion zombie stories that followed.
Dawn of the Expressionless was the movie that brought zombies out of former, decrepit houses and into modern settings — like an American shopping mall. While the zombie effects are lame by today's standards, the storyline of heroes making a fortress out of whatever they tin discover has become a standard trope of the genre.
Logan
Is it actually possible that an X-Men motion-picture show can make the states cry this much? Yeah, and so some. Logan was a daring R-rated dramatic sequel to both the 10-Men franchise and the spin-off Wolverine movies.
Hugh Jackman plays a mutant whose ability is waning and who finds himself as the unwitting protector of both Professor 10 and an orphan girl who has virtually the same abilities he has. Making it his mission to make sure she gets to a safe haven, Logan is a heartbreaking send-off to the Wolverine character and a masterpiece in its own right.
Hellboy 2: The Golden Army
Whatever movie director Guillermo del Toro tackles has an incredible visual fashion, and Hellboy II: The Golden Army shows just what he tin do with the proper budget. For the sequel, Hellboy is less in our world and more in the magical realm beneath it.
Audiences already loved Hellboy, but the sequel created a supernatural universe then bright and detailed people came dorsum for more. Is it weird to have a good-guy demon team up with an amphibious fish-human being, a gaseous German and a flammable dear interest? Yeah, and it's awesome.
The Bourne Ultimatum
It's rumored that producers were forced to reboot the Pierce Brosnan James Bond films because the Jason Bourne franchise reinvented the spy movie. Watching them again, it's piece of cake to see how this could be the case.
The film strives for realism and inventiveness at the aforementioned time. Authentic-feeling control rooms with bureaucratic spies combine with high-octane scenes in which someone is beaten senseless with a household item like a book. The Bourne Ultimatum takes the best elements of the previous films and tops itself in both mode and story.
Bride of Frankenstein
In Frankenstein, Boris Karloff embodied the office of Frankenstein'south monster so well that no actor since has come close. Dorsum in 1935, people lined upwardly for the sequel, having no idea it would be even better.
Bride of Frankenstein resurrects both Frankenstein and his monster, which were seemingly dead at the cease of the first picture. Here, Dr. Frankenstein is blackmailed by an even crazier scientist into creating a female companion for his monster. The look of the female person creature has become iconic — and the ending a total heartbreaker.
Dawn of the Planet of the Apes
It seems unlikely that Planet of the Apes would find audiences in its second reboot. Merely a modern take on the tale of super-intelligent apes resonated and showed us the best and worst the human race has to offer.
Dawn of the Planet of the Apes fast-frontward to a world where humans are an endangered species and apes reign supreme. Though Caesar tries to forge peace with humans, his noble efforts are undermined by rogue elements. The story is a meditation on war, peace and the limits of compromise.
The Lord of the Rings: The Return of the King
Even though it has a dozen endings too many, Render of the King is still ane of the best fantasy films always made. This is the tale that culminates in the final epic battle for the fate of Centre Earth.
Across the magic and fighting is the beating heart of the story: Frodo and Sam's arduous journey to destroy the ring to both deliver the realm from evil and save Frodo's soul. The stakes couldn't be college, and director Peter Jackson pulls out all the stops for the climactic end.
Source: https://www.smarter.com/fun/sequels-rise-above-originals?utm_content=params%3Ao%3D740011%26ad%3DdirN%26qo%3DserpIndex
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